Cinematic Unisystem Compiled Pdf Writer
My opinion is thus: If you really want a generic, utilitarian presentation of the Unisystem, go with All Flesh Must Be Eaten. It does not, contrary to popular belief, require zombies for use.Cinematic Unisystem Compiled Pdf Merge. The VS Unisystem is emulated as well. You can do it, too!Zombies are featured, but are modular and can be removed. In fact, the 'zombie creation rules' can be used with no modification to make any kind of creature, demon, or monster you desire. It's a truly generic presentation of the rules, and has tons of support for other types of play than modern through the genre books (Enter the Zombie for HK action, Dungeons and Zombies for fantasy, Pulp Zombies for.well, pulp, Fistfull o' Zombies for Western, etc.) If you're looking more for extra ways to customize characters, rather than a monster building system, go with Terra Primate. It's just as generic as AFMBE, and all the AFMBE genre books are 100% compatible with it.Also, Terra Primate has psionics, where AFMBE has Divine Inspiration (miracles).
Regardless of whether you go with AFMBE or TP, I'd also recommend Angel, but that's because I personally like the cinematic version of the rules better than the classic, but truthfully find the best iteration of the Unisystem to be in a combination of the two sets (use the Drama Points, flat-damage, and combat maneuvers from cinematic in conjunction with the expanded skills list and Essence from classic). Last edited by The Grey Elf; at 08:48 AM. Jason Vey, The Grey Elf: Yankee Pack, Son of Liberty; Cult of Howard; Maiden Militia Author, Pulp Roleplaying Game -go buy Author, author, co-author,; suggestions and original pdf editing, 'The spell is called 'Cure Light Wounds' because I strongly suspect Gary thought a spell called 'Restore Small Random Amount of Arbitrary Abstract Resource' didn't sound as nice.He was right, too.' -Old Geezer, on AD&D Laugh Points: 4, Awesome Points: 1, Layout Points: 1, Best Thread Title Evar Points: 4 Disturbed the Mortal Vessel of Cthulhu Points: 1, Most Honest Author Points: 1. I recommend any iteration of Unisystem. I think that a Cinematic Unisystem game would make a better introduction to the system, however.The games leap out at you and beat you over the head with coolness.
Stuff like AFMBE and Witchcraft have a much lower-radar level of coolness that requires some play-time before you realize how awesome they are. Unless of course you're just really into zombies and cat people (like some of us are!).Unisystem's cool because it's a very tightly designed, extremely adaptable system that serves as an unflagging workhorse for your games. Also, Cinematic's Drama Points are awesome and should be included in any cinematic or pulpy game, period (IMO).Try taking a look at WitchCraft first, since it's available for free download from Eden, and at Buffy, for which most of the rules are available online at (IIRC) the BBC web site. That'll get you started with zero investment on your part. From there, you can decide whether standard or cinematic Unisystem is more to your taste. Then, if you want the widest possible scope in one package, I'd recommend Armageddon for standard Unisystem and Angel for cinematic Unisystem. All Flesh Must Be Eaten is great, but it requires the supplements to get to the really interesting powers, IMHO.
Cinematic Unisystem Compiled Pdf Writer Online
Try taking a look at WitchCraft first, since it's available for free download from Eden, and at Buffy, for which most of the rules are available online at (IIRC) the BBC web site. That'll get you started with zero investment on your part.From there, you can decide whether standard or cinematic Unisystem is more to your taste. Then, if you want the widest possible scope in one package, I'd recommend Armageddon for standard Unisystem and Angel for cinematic Unisystem. All Flesh Must Be Eaten is great, but it requires the supplements to get to the really interesting powers, IMHO.And again, I have all the BBC rules compiled into a neatly-formatted PDF on my site: and the errata. Jason Vey, The Grey Elf: Yankee Pack, Son of Liberty; Cult of Howard; Maiden Militia Author, Pulp Roleplaying Game -go buy Author, author, co-author,; suggestions and original pdf editing, 'The spell is called 'Cure Light Wounds' because I strongly suspect Gary thought a spell called 'Restore Small Random Amount of Arbitrary Abstract Resource' didn't sound as nice.He was right, too.' -Old Geezer, on AD&D Laugh Points: 4, Awesome Points: 1, Layout Points: 1, Best Thread Title Evar Points: 4 Disturbed the Mortal Vessel of Cthulhu Points: 1, Most Honest Author Points: 1.
I would sell you on Unisystem, buy we dont own you yet Seriously though.ANGEL with its errata is all you need for Cinematic Unisystem. If you like, pick up Buffy and Buffy's Magic Box sourcebook for magic/superscience. Download Witchcraft for Free. But i say Buy ARMAGEDDON instead though.
The Witchcraft corebook didnt inspire me at all.The Armageddon Corebook does though. Then buy the Abomination & Myserty Codex if you end up likeing Classic Unisystem. If you want a Survival Horror game get ALL FLESH MUST BE EATING.
I'm not big into zombie movies and could not get past the ART and concept of AFMBE enough to buy it. BEST choices are: ANGEL and ARMAGEDDON.
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Behind the Lens by Jay Holben SummaryFilmmaker Jay Holben has been battling in the production trenches for most of his life. For the past 17 years, he’s chronicled his adventures in the pages of American Cinematographer, Digital Video, Videography, and TV Technology. Now, in Behind the Lens: Dispatches from the Cinematic Trenches, he’s compiled nearly 100 of his best articles on everything from camera technology and lenses to tips and techniques for better lighting. Whether you’re making independent films, commercials, music videos, documentaries, television shows, event videos, or industrials, this full color collection provides the tools you need to take your work to the next level and succeed in the world of digital motion imaging. Think/Point/Shoot by Annette Danto,Mobina Hashmi,Lonnie Isabel SummaryThink/Point/Shoot gives students a thorough overview of the role of ethics in modern media creation. Case studies emphasize the critical issues in global media ethics today in all stages of media creation from preproduction research and development, to production and post production. This volume features practicing filmmakers, journalists, and media creators who provide insight into dealing with real-world ethical dilemmas.
For this era, digital imagery, sounds, and web communication have opened doors to sharing thoughts and ideas instantaneously to potentially vast audiences. This presents exciting opportunities, but also serious ethical, legal, and social challenges. The cases and exercises found in this book are applicable to the current media field while still remaining grounded in strong ethical theory.
Think/Point/Shoot explains the challenge of communicating a story to a worldwide audience while maintaining ethical standards. A companion website provides additional resources for students and instructors: media ethics game chapter summaries and case studies important forms Instructors will also find: classroom exercises PowerPoints video from the 'Global Media Ethics' Conference from March 2013. A Shot in the Dark: by Jay Holben SummaryThe most significant contribution to film imagery is lighting. Lighting is the key to turning amateur footage into professional stories and presentation.
A SHOT IN THE DARK: A CREATIVE DIY GUIDE TO DIGITAL VIDEO LIGHTING ON (ALMOST) NO BUDGET shows that good lighting doesn't always require expensive or extensive Hollywood hardware. With a little creativity, ingenuity, and some elbow grease, you can create your own lighting arsenal to handle a multitude of situations.
This book will show do-it-yourselfers how to create their own equipment and how best to use it. The first part of the book teaches you about the basics-the fundamentals of light, color, exposure, and electricity-that are the building blocks of lighting. You'll discover what light is and how to control it. Once you have that foundation, the book will introduce tips, techniques, and hands-on projects that instruct you on how to create your own lighting tools from inexpensive, readily available resources.
The only limit to what you can do is your imagination. The Filmmaker's Book of the Dead by Danny Draven SummaryProduce, direct, promote and sell your own chilling horror film with real-world advice from award-winning producer/director/writer Danny Draven! The second edition is completely updated with information on new technology, new exclusive interviews with industry pros, new photos and samples from the production of recent horror movies, new behind-the-scenes video, information on modern distribution methods and delivery and more! From the history of horror and the technique of the scare to pre-production and distribution, this complete, full-color guide to filmmaking uncovers all the insider secrets for creating your own spine-tingling horror film from start to finish. The Storyteller by Walter Benjamin SummaryA beautiful collection of the legendary thinker’s short stories The Storyteller gathers for the first time the fiction of the legendary critic and philosopher Walter Benjamin, best known for his groundbreaking studies of culture and literature, including Illuminations, One-Way Street and The Arcades Project. His stories revel in the erotic tensions of city life, cross the threshold between rational and hallucinatory realms, celebrate the importance of games, and delve into the peculiar relationship between gambling and fortune-telling, and explore the themes that defined Benjamin.
The novellas, fables, histories, aphorisms, parables and riddles in this collection are brought to life by the playful imagery of the modernist artist and Bauhaus figure Paul Klee. From the Trade Paperback edition. Filmskills Cinematography by Jason J. Tomaric SummaryCinematographers can drench an entire world in mystery, throw characters into a fury of action, and even show us the elated feelings of first love, all by creating emotion through the camera lens, lighting, and the art of composition. Written for both directors and cinematographers, FilmSkills: Cinematography takes you onto the set and gives you the tools to enhance your story through the power of light, and the camera. FilmSkills: Cinematography is your complete reference guide to the techniques of modern cinematography:.
Film and digital production processes. Cameras and lenses - from RED to DSLR. The art of creating and crafting light.
Grip and rigging tools and techniques. Hollywood framing and composition standards. Camera and lighting equipment reference guides.
Fully-illustrated with behind-the-scenes photos. Techniques from award-winning filmmakers. Experimental Filmmaking by Kathryn Ramey SummaryExperimental Filmmaking emerges out of a deep and abiding love of celluloid and artisanal media practices and a personal exploration of the field of avant-garde and experimental film, animation and video produced since the beginnings of cinema. Although there have been many critical and historical books on the subject, with the exception of zines and hand-published volumes, there has never been a comprehensive instructional manual on experimental processes. This book will introduce film students and professional filmmakers alike to various methods of experimental animation, film and video production that involve material interventions into the normative process of the medium while offering brief introductions to artists and their works. Speaking about Godard by Kaja Silverman,Harun Farocki SummaryProbably the most prominent living filmmaker, and one of the foremost directors of the postwar era, Jean Luc-Godard has received astonishingly little critical attention in the United States.
With Speaking about Godard, leading film theorist Kaja Silverman and filmmaker Harun Farocki have made one of the most significant contributions to film studies in recent memory: a lively set of conversations about Godard and his major films, from Contempt to Passion. Combining the insights of a feminist film theorist with those of an avant-garde filmmaker, these eight dialogues–each representing a different period of Godard's film production, and together spanning his entire career–get at the very heart of his formal and theoretical innovations, teasing out, with probity and grace, the ways in which image and text inform one another throughout Godard's oeuvre. Indeed, the dialogic format here serves as the perfect means of capturing the rhythm of Godard's ongoing conversation with his own medium, in addition to shedding light on how a critic and a director of films respectively interpret his work. As it takes us through Godard's films in real time, Speaking about Godard conveys the sense that we are at the movies with Silverman and Farocki, and that we, as both student and participant, are the ultimate beneficiaries of the performance of this critique.
Accessible, informative, witty, and, most of all, entertaining, the conversations assembled here form a testament to the continuing power of Godard's work to spark intense debate, and reinvigorate the study of one of the great artists of our time. Edith and Florence Stoney, Sisters in Radiology by Adrian Thomas,Francis Duck SummaryThis book explores the lives and achievements of two Irish sisters, Edith and Florence Stoney, who pioneered the use of new electromedical technologies, especially X-rays but also ultraviolet radiation and diathermy. In addition, the narrative follows several intertwined themes as experienced by the sisters during their lifetimes.
Their upbringing, influenced by their liberal-minded scientist father, set the tone for both their lives. Irish independence fractured their family heritage. Their professional experiences, fulfilling for Florence as a qualified doctor but often frustrating for Edith as a Cambridge-educated scientist, mirrored those of other aspiring women during this period, when the suffragist movement expanded and women’s lobby groups were formed. World War I created an environment in which their unusual specialist knowledge was widely needed, and the sisters’ war experiences are carefully examined in the book. But ultimately this is the extraordinary story of two independent but closely bonded sisters and their abiding love and support for one another. Psychology at the Movies by Skip Dine Young SummaryPsychology at the Movies explores the insights to be gained by applying various psychological lenses to popular films including cinematic depictions of human behavior, the psychology of filmmakers, and the impact of viewing movies.
Uses the widest range of psychological approaches to explore movies, the people who make them, and the people who watch them Written in an accessible style with vivid examples from a diverse group of popular films, such as The Silence of the Lambs, The Wizard of Oz, Star Wars, Taxi Driver, Good Will Hunting, and A Beautiful Mind Brings together psychology, film studies, mass communication, and cultural studies to provide an interdisciplinary perspective Features an extensive bibliography for further exploration of various research fields. Set Lighting Technician's Handbook by Harry Box SummaryComprehensive.
Set Lighting Technician's Handbook, Fourth Edition, is a friendly, hands-on manual covering the day-to-day practices, equipment, and tricks of the trade essential to anyone doing motion picture lighting, including the lamp operator, rigging crew, gaffer, best boy, or director of photography. This handbook offers a wealth of practical technical information, useful techniques, as well as aesthetic discussions. The Set Lighting Technician's Handbook focuses on what is important when working on-set: trouble-shooting, teamwork, set protocol, and safety. It describes tricks and techniques for operating a vast array of lighting equipment including LEDs, xenons, camera synchronous strobes, black lights, underwater units, lighting effects units, and many others. Since its first edition, this handy on-set reference continues to be widely adopted as a training and reference manual by union training programs as well as top university film production programs.
New to the fourth edition:. Detailed information on LED technology and gear. Harmonized with union safety and training procedures. All the latest and greatest DMX gadgets, including remote control systems. Many new and useful lights and how to use them and troubleshoot them. New additions to the arsenal of electrical distribution equipment that make our sets safer and easier to power. More rigging tricks and techniques.
the same friendly, easy to read style that has made this book so popular. Lighting for Cinematography by David Landau SummaryWe can't shoot good pictures without good lighting, no matter how good the newest cameras are.
Shooting under available light gives exposure, but lacks depth, contrast, contour, atmosphere and often separation. The story could be the greatest in the world, but if the lighting is poor viewers will assume it's amateurish and not take it seriously. Feature films and TV shows, commercials and industrial videos, reality TV and documentaries, even event and wedding videos tell stories. Good lighting can make them look real, while real lighting often makes them look fake. Lighting for Cinematography, the first volume in the new CineTech Guides to the Film Crafts series, is the indispensable guide for film and video lighting. Written by veteran gaffer and cinematographer David Landau, the book helps the reader create lighting that supports the emotional moment of the scene, contributes to the atmosphere of the story and augments an artistic style. Structured to mimic a 14 week semester, the chapters cover such things as lighting for movement, working with windows, night lighting, lighting the three plains of action and non-fiction lighting.
Every chapter includes stills, lighting diagrams and key advice from professionals in the field, as well as lighting exercises to help the reader put into practice what was covered. The Truth of the Technological World by Friedrich A. Kittler SummaryFriedrich Kittler (1943–2011) combined the study of literature, cinema, technology, and philosophy in a manner sufficiently novel to be recognized as a new field of academic endeavor in his native Germany.
'Media studies,' as Kittler conceived it, meant reflecting on how books operate as films, poetry as computer science, and music as military equipment. This volume collects writings from all stages of the author's prolific career. Exemplary essays illustrate how matters of form and inscription make heterogeneous source material (e.g., literary classics and computer design) interchangeable on the level of function—with far-reaching consequences for our understanding of the humanities and the 'hard sciences.' Rich in counterintuitive propositions, sly humor, and vast erudition, Kittler's work both challenges the assumptions of positivistic cultural history and exposes the over-abstraction and language games of philosophers such as Heidegger and Derrida. The twenty-three pieces gathered here document the intellectual itinerary of one of the most original thinkers in recent times—sometimes baffling, often controversial, and always stimulating. Griffith's the Birth of a Nation by Melvyn Stokes SummaryIn this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D.
Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in 'live' theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr.
And Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film.
This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema. Hands-on Manual for Cinematographers by David Samuelson SummaryThe 'Hands On' Manual for Cinematographers contains a wealth of information, theory, diagrams and tables on all aspects of cinematography. Widely recognised as the 'Cinematographer's Bible' the book is organised in a unique manner for easy reference on location, and remains an essential component of the cameraman's box.
Everything you need to know about cinematography can be found in this book - from camera choice, maintenance and threading diagrams; to electricity on location, equipment checklists, film stock, lenses, light and colour. Of particular use will be the mathematics, formulae, look up tables and step by step examples used for everything from imperial/metric conversions to electricity, exposure, film length, running times, lights and optics. Sections on special effects and utilities are also included as well as a list of useful websites. David Samuelson is a well known and respected cameraman who has been instrumental in fostering award winning new technical innovations. He is a technical consultant, lecturer and author of three other leading publications for Focal Press: The Panaflex User's Manual 2ED, Motion Picture Camera and Lighting Equipment and Motion Picture Camera Techniques.